National Visions, National Blindness: Canadian Art and Identities in the 1920s by Leslie Dawn Quebec He problematizes conventional perceptions of Montreal bank He problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the “Indian” paintings of Langdon Kihn and Emily Carr You can purchase D & E Lake Ltd Leslie Dawn revises common interpretations of several well known events and rescues others from obscurity and will be of great interest to readers and researchers of Canadian art history